About Us

DC Event Lighting and Sound is a full-service provider for lighting, staging and sound solutions to the special event industry catering to the greater Washington D.C., Virginia and Maryland areas.




What We Do

Planning a corporate event? Our rental department has what you need to flawlessly execute your next corporate resentation, product launch and more. Inquire with DCELS about rojector rentals, pipe and base, uplighting, branded corporate gobo, and more.



Contact Us

Contact us today to find out how we can offer
the best service and pricing to your next special
event.





Mixing consoles

Mixing consoles are the heart of a sound reinforcement system. This is where the operator can mix, equalize and add effects to sound sources. Multiple consoles can be used for different applications in a single sound reinforcement system. The Front of House (FOH) mixing console must be located where the operator can see the action on stage and hear the output of the loudspeaker system. Some venues with permanently installed systems such as religious facilities and theaters place the mixing console within an enclosed booth but this approach is more common for broadcast and recording applications. This is far less common in live sound reproduction since the engineer performs best when they can hear what the audience hears.

Large music productions often use a separate stage monitor mixing console which is dedicated to creating mixes for the performers' on-stage or in-ear monitors. These consoles are typically placed at the side of the stage so that the operator can communicate with the performers on stage. In cases where performers have to play at a venue that does not have a monitor engineer near the stage, the monitor mixing is done by the FOH engineer from the FOH console, which is located amongst the audience or at the back of the hall. This arrangement can be problematic because the performers end up having to request changes to the monitor mixes with "...hand signals and clever cryptic phrases". The engineer also cannot hear the changes that he is applying to the monitors on stage, often resulting in a reduction of the quality of the mix.