About Us

DC Event Lighting and Sound is a full-service provider for lighting, staging and sound solutions to the special event industry catering to the greater Washington D.C., Virginia and Maryland areas.




What We Do

Planning a corporate event? Our rental department has what you need to flawlessly execute your next corporate resentation, product launch and more. Inquire with DCELS about rojector rentals, pipe and base, uplighting, branded corporate gobo, and more.



Contact Us

Contact us today to find out how we can offer
the best service and pricing to your next special
event.





In-Ear Monitors

In-ear monitors are headphones that have been designed for use as monitors by a live performer. They are either of a "universal fit" or "custom fit" design. The universal fit in ear monitors feature rubber or foam tips that can be inserted into virtually anybody's ear. Custom fit in ear monitors are created from an impression of the users ear that has been made by an audiologist. In-ear monitors are almost always used in conjunction with a wireless transmitting system, allowing the performer to freely move about the stage whilst maintaining their monitor mix.

In-ear monitors offer considerable isolation for the performer using them, meaning that the monitor engineer can craft a much more accurate and clear mix for the performer. A downside of this isolation is that the performer cannot hear the crowd or other performers on stage that do not have microphones. This has been remedied by larger productions by setting up a pair of microphones on each side of the stage facing the audience that are mixed into the in-ear monitor sends.

Since their introduction in the mid-1980s, in-ear monitors have grown to be the most popular monitoring choice for large touring acts. The reduction or elimination of loudspeakers other than instrument amplifiers on stage has allowed for cleaner and less problematic mixing situations for both the front of house and monitor engineers. Feedback is easier to manage and there is less sound reflecting off the back wall of the stage out into the audience, which affects the clarity of the mix the front of house engineer is attempting to create.